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Downie Bros.Circus ads on rural outbuilding
Lynchburg (state?)
Walker Evans, photographer
1936 -- Library of Congress
Early photographers have always captured my imagination --from the early tin types to mid-twentieth century. This time-frame was a trans-formative period based on wars and industrial growth. Much of what can be imagined from this period is found through the eyes of photographers. I like amateur photographers as well as the professionals. However, a favorite of mine from this era was a professional photographer that I label a cultural photographer -- his name was Walker Evans.
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Evans, found creative passion in the humbler side of life -- what I call the reality of life. He had a long career in photography but his photos from the 1930s are the ones that I have always admired. These were main streets, small towns and people of our rural areas. Primarily these photographs were taken in southern states while he worked for the Resettlement Administration (RA) and then the Farm Security Administration (FSA) both Great Depression federal programs.
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SHOE SHINE STAND, SOUTHEASTERN U.S.
WALKER EVANS PHOTOGRAPHER 1936
Library of Congress
These early photos convince us that we, as a country, have changed, losing our former creative community spirit. . But I feel there is a movement afoot that might result in bringing back some of our former significant values to small towns and the rural coutryside.
Take a look at these early photo icons of main street commerce. Their liquid ambiance feels welcoming and real.
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WATERFRONT IN NEW ORLEANS
FRENCH MARKET SIDEWALK SCENE, LOUISIANA
WALKER EVANS PHOTOGRAPHER -- 1935
Library of Congress
The French Market scene appears as a thoroughfare of legs, wheels, signs, and trade. Regulations seem unknown as vehicles park ever which way, signs protruding from on high and on the sidewalk. It almost feels like it's a fair.
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LINCOLN MARKET, WINSTON SALEM, NORTH CAROLINA
WALKER EVANS -- 1935
Library of Congress
Aren't we glad that Evans captured this creative way of advertising -- using the store's exterior wall -- of course.
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SIDEWALK SCENE IN SELMA ALABAMA
WALKER EVANS -- 1935
Library of Congress
Alabama and the camaraderie of friends -- always present in the 1930s rural environment.
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RURAL LOUISIANA
WALKER EVANS -- PHOTOGRAPHER -- 1936
Library of Congress
Walker's subjects were often of vernacular architecture along with other cultural materials. His photos have a "stand alone" quality. They really can be presented with few accompanying words.
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RESOURCES:
Introduction to "Walker Evans," Museum of Modern Art Exhibition, 1971
Walker Evans, by Maria Morris Hanbourg, Jeff L. Rosenheim, Douglas Eklund, Mia Fineman
Let Us Now Praise Famous Men by Walker Evans (photographer) and James Agee
Library of Congress, Washington D. C.